
Veteran Ghanaian highlife musician and television personality Akosua Agyapong has confirmed that her second marriage has come to an end, while firmly declining to share details about the circumstances surrounding the separation.
The award-winning singer made the disclosure during a recent media interview, stating that she and her husband, Prophet Daniel Asamoah-Larbi, have legally and permanently parted ways.
Despite growing public interest, the “Frema” hitmaker emphasized that she intends to keep the reasons for the breakup private.
Marriage Officially Concluded
Akosua Agyapong confirmed that her marriage to Prophet Asamoah-Larbi, which lasted several years, has officially ended.
She, however, drew a clear boundary around her personal life, refusing to respond to questions about what led to the dissolution of the union. According to her, not every aspect of her private affairs is meant for public consumption.
Focus on Peace and Family
The celebrated performer noted that her current priority is maintaining peace of mind and focusing on her family and professional career.
She indicated that she intends to channel her energy into her children and continue her work in the entertainment industry, where she remains one of Ghana’s most recognizable cultural figures.
A Second High-Profile Marriage Ends
This development marks the end of Akosua Agyapong’s second public marriage.
Her first marriage was to fellow Ghanaian highlife legend Amandzeba Nat Brew, with whom she shares four children before the couple eventually divorced.
She later married Prophet Daniel Asamoah-Larbi, founder of the House of God International Prayer Ministry. Although the relationship occasionally attracted media speculation, the couple largely kept their private life away from public scrutiny until the recent confirmation of their separation.
Enduring Legacy in Ghanaian Music
Akosua Agyapong remains a respected figure in Ghana’s entertainment industry, widely celebrated for her energetic stage presence and a catalogue of popular highlife songs that helped define the genre in the late 1980s and 1990s.
Her announcement adds a new personal chapter to the life of one of Ghana’s most enduring and influential female performers.
Source: Omanghana



